Why are Korean cultural products going global when many other countries around the world also have a robust and dynamic domestic TV, music, and cinema scene? Some observers point to the Korean government’s direct support as the differentiating variable. But Sciences Po Paris lecturer Jimmyn Parc argues in a recent paper for KEI that the…
October 28, 2021
In the brutal contest for streaming views, “Squid Game” has outplayed its competitors to become Netflix’s biggest hit. Beyond its own success, however, the dystopian drama also epitomizes what has become a mutually beneficial partnership between the streaming giant and South Korea’s creative industry. As KEI’s Troy Stangarone underscores, the show is an example of Netflix’s strategy…
October 21, 2021
Squid Game - the first Korean show to top Netflix’s charts - follows the country’s long cinematic tradition of examining inequality and power relations. The story focuses on a group of indebted people who accept a mysterious invitation to participate in a series of children’s games for a chance to win approximately USD 40 million.…
October 12, 2021
A popular online joke last week went something like this: “The leaders of South Korea and Moon Jae-in came to New York.” While the band’s global popularity is unmistakable, the fact that members of a Korean pop band were on the floor of the United Nations addressing world leaders remains no less surprising. The band was reprising its…