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The Peninsula
The Peninsula blog is a project of the Korea Economic Institute. It is
designed to provide a wide
ranging forum for discussion of the foreign policy, economic, and social
issues that impact the
Korean peninsula.
Golden Globe nominations for two actors in the Korean Netflix show Squid Game are monumental, but they also reveal gender and racial bias of U.S. entertainment industry.
Although audiences still prefer live performances, South Korea’s entertainment industry will likely continue building on virtual concerts that were piloted during the COVID-19 pandemic.
In many ways, K-pop in 2021 was not terribly different from K-pop in 2020: a focus on online content, with in-person shows just starting to creep back.
As debates around the role of police continue in the United States, these movies are worth a watch to reflect on whether any institutions can remain true defenders of society without public accountability.
Korea’s entertainment industry has to transition to becoming a platform that aggregates data but faces numerous challenges competing against foreign giants.
Experts urge South Korea to level the playing field with multinational streaming platforms by focusing on protecting the rights of Korean content creators.
Some observers point to the Korean government’s direct support as a key driver of the Korean Wave - but this may not be as critical as is often claimed.